Is Submithub Legal

I am happy to find your blog and this very sober vision of the situation. I was featured on hypemachine blogs from time to time with my old project and while it was great to hear what the blogs that supported me had to say, and I kept submitting because of those personal relationships, it would never have been worth nearly a dollar as an ad. Even though I only paid when I was introduced. I`ve racked my brain to join submithub now that it seems that half the blogosphere has been there, although I`m deeply concerned about the amount of «solutions» to the music PR game that involve direct economic cannibalization – until people remember that the goal of the music industry should be to make money from music. not with the musicians. I`m afraid there will be more and more pay-to-play. everywhere on the Internet. Anyway, I think you inspired me not to join submithub just now – as much as paying for pure advertising seems «bad» to me for what`s left of my punk sensibility, at least it`s predictable in its results and actually offers some value. I strongly suspect that Submithub would end up being like sonicbids – a lot of money I don`t get back (and as I remember sonicbids, it actually worked much worse than just emailing people themselves). This is where you`ll www.submithub.com/blog/urban-edm-by-frame-dj burden, and my favorite feature of submithub is the chat feature – where curators who, even if they refuse, open a chat with you. This way, you can start building RELATIONSHIPS with conservatives. You can take those comments and get into a dialogue and develop it. Talk about stretching the money! There are two types of credits, Standard (free) and Premium (paid).

Standard credits are regenerated approximately every 4 hours (again, so you can`t spam blogs). Even though this is present, these blogs receive a lot of submissions, so many of our standard submissions have not been heard. Submitting to a blog/playlist with the premium credits simply means that the blog has at least 60 (?) seconds of your song before deciding yes or no. If it`s a no, they need to give constructive feedback on why. Premium credits also give you access to submission blogs that want far fewer submissions and don`t accept standard submissions (their own choice, not Submithub`s) Great piece of Travis, which sums up the submithub problem better than almost any other article I`ve read. Well. if you want, you can send me some of your music here or on SubmitHub (`Urban EDM`) and I`ll take a look. Thank you for sharing this. There was a certain empowerment to look at and criticize this system, which people seem to simply want to accept for «as it is.» And I also felt better about how absolutely ridiculous comments can be on SubmitHub. Also, I submitted a blog called BIRP. FM, 2 different songs, 6 months apart, and their reaction was almost exactly the same.

It was so similar that I`m surprised the algorithm didn`t capture it by copying and pasting, but I think they made enough small changes. I have had some positive experiences with submithub, but its issues are significant and deserve more attention/responsibility. «I can honestly say it head and shoulder on some of the stuff that the majors come out» For me, the chance that I like a Submithub song is as big as I love a major label song. To be honest, I think 95% of what the majors publish sucks. Then, scroll down and turn off SoundCloud, Radio, and On Twitch unless you have a good reason not to. Thanks I did – 2 diff tracks for this experience that will hopefully prove useful to others on this site!!! You can tell me if they`re so horrible that no one ever wants to add them, or if I`ve just been unlucky so far!!! Some answers might be absolute hogwash. They can be know-it-all playlists who have a unique vision that each song should follow an exact format or style. They may only like commercial dance music with female voices and reject virtually everything else. You should ignore a lot of what these kinds of people say. Instead, you`ll have to settle for a few of my favorite rejections: Make sense.

But now I don`t see any incentive for bloggers. I am talking about a kind of redistribution of wages, on the one hand. In reality, they get the total price for the audition (just for the audition). Nothing motivates them to add a song. In this case, it is impossible to detect scammers. And it`s no different from the «Payola». It`s just «Payola» with no guarantee (of addition). And for the authors, this is an illusion. Running endlessly on the horizon.

For a longer break, I used the «Take a Break» feature in SubmitHub. Again, no one can send you quotes, they only see a personalized message from you. This is useful if you get sick, go on vacation, etc. As an artist, I can drop the following: So far, every track we`ve uploaded has been accepted 1-5 times. I have had good contacts with the curators, some of them are artists themselves. It was really the place with the least shady practice, compared to all the outrageous offers we`ve received before on any other platform we use. No Pay to Play offers of 40€/3day of any kind whatsoever. It probably doesn`t make much sense to waste your money on playlists that don`t get traction. Has anyone found success with the free credits option? If you say it`s impossible to detect scammers, I`m assuming you`re referring to conservatives, but there`s a lot of information about each conservative`s behavior, as well as user reviews in their profile.

It is not an income-generating strategy. Anyone who follows this advice should expect their return on investment to be 0. Mystic Sons is very cool and hopefully I can get more traction there. I definitely bookmarked them on SubmitHub. First, a little about me. I`m a synthwave artist who started making music about 4 months ago. I`m probably a little older than most artists, but I`ve always wanted to do synthwave. As it stands, I have an approval rating of 6%. Almost nothing substantial.

Jason Grishkoff, the founder of SubmitHub, guided me through the process of submitting my latest single in a two-hour phone call. Along the way, he shared many helpful tips for maximizing results while minimizing budget. If you`re trying to customize a very specific genre style, feedback can be very helpful in improving your mixing and mastering. Maybe your beats don`t have enough intensity, or the song is too repetitive, or the vocals don`t really show through in the mix. Getting advice on how to do this can be helpful (or they can be absolute garbage!). I`ve also had several songs that have reached the semi-finals of international songwriting competitions, and I`m recording in a very professional studio, with my mastering done by someone in the UK who works with a lot of big names, so I`m not convinced that`s the standard of my music – but I`d love to hear your thoughts. If you say it is bad, I am happy to accept your opinion!!! I`m not one to believe that the world or the music industry owes me anything, but I also don`t think the Conservatives have been fair to me so far!!!! First of all, thank you for this deep dive and all the others you do. I swear you must be ten years old! You and Ari. Amazing shoe leather and fancy footwork! On the settings page, you can see the approval rate by genre, which goes a long way in knowing if your track matches.

The dialogue bubble with a heart symbol means that the blog is listed on Hype Machine. While some of the blogs I`ve received cover take their time and energy and provide thoughtful feedback to their reviews (maybe 30% of them), it`s intimidating, to say the least, considering how darkened and nodded for these ads. You should choose bloggers and playlists individually before submitting them, as many bloggers and playlisters on SubmitHub have very specific preferences. I think we have to remember that these curators aren`t necessarily music experts — a lot of them are just fans like you and me — and so, even though they`ve put themselves in a position where they hold the key to getting access to more listeners, at the end of the day, their tastes and choices aren`t really important. And we should seek out our true fans in other ways. Looking at my SubmitHub story, my overzealousness doesn`t seem to have paid off. In the past, I have received similar results from half of the Conservatives. Brian, your articles are excellent. Very well written and I can understand the facts you are publishing. Thank you very much.

I`m a new submithub curator for my urban EDM playlist (2500 followers/500 listeners) and I`m amazed at how many submissions don`t fit my playlist at all! Please guys, if you use Submithub, don`t just waste money, but thoroughly research preservatives. Knowing that DistroKid does this kind of playlist manipulation makes me a little less confident. This year is my first time – and I asked CD Baby to do it. Hmmmm. This confuses artists who think they need to make a song that «ticks all the boxes». In dance music, there`s a whole generation of artists who do that and focus way too much on it – usually to get a record deal, but in the end, they don`t get far because they don`t have their own identity or become super dependent on that recording contract for everything. I`m still working on the Fans on Demand and Fan Finder courses (all thanks to your articles!!!), and the more I go through courses like this, the more I understand that I shouldn`t be chasing numbers/statistics, but real people who are really going to love what I do, and that it`s quality over quantity when it comes to listeners! Anyway, all I can say about it is that I get better results if I just search for playlists, find emails, and ask people to put on me for free.